Stuart Saunders Smith is widely recorded with well over 80 recordings of individual compositions on such labels as New World Records, Ravello Records, Centaur, Innova, 11 West Records, . Discs, Equilibrium, GAC, and Soundset Recordings . Full Circle - NOISE Plays the Music of Stuart Saunders Smith, Centaur Records. 1. Flight (1978), for flute and piano. 2. Notebook (1980), any instruments. 3. Time Comes Full Circle (2010), for violin and cello.
Stuart Saunders Smith: A River Rose - Music for Violin. More Stuart Saunders Smith. Listen to Breath: The Percussion Music Of Stuart Saunders Smith now. Listen to Breath: The Percussion Music Of Stuart Saunders Smith in full in the this site app. Play on this site.
Stuart Saunders Smith was born in Portland Maine, and began his percussion and composition studies at the age of six with Charles Newcomb. He studied harmony, counterpoint, and arranging at the Berklee School of Music in 1966, and continued his percussion and composition studies at the Hartt College of Music (1967–1972) and the University of Illinois at Urbana (1973–1977). Winter (2010–2011), any instruments and voices. Full Circle – NOISE Plays the Music of Stuart Saunders Smith, Centaur Records. 4. Asleep in Thorns (2002), for flute and guitar. 5. Women in Meeting (2005), for two flutes.
Слушайте Breath: The Percussion Music of Stuart Saunders Smith от Stuart Saunders Smith на Deezer. Благодаря потоковой трансляции музыки на Deezer вы можете слушать более 53 млн треков, создавать свои плейлисты и делиться любимыми песнями с друзьями.
Stuart Saunders Smith. Executive Producer, Orchestra Bells, Percussion, Photography.
The metaphorical ‘noise’ here arises from the tiny slippages between the constantly changing tempi, and is accentuated by the instruments, which are wrapped in tinfoil to generate sympathetic buzz and resonance. dis)Sensus (2008)takes inspiration from the political philosophy of Jacques Ranciere, creating a multi-movement work in which explosive energy arises from formal contrast. dis)Sensus explores a variety of conflicting perspectives as tonalities, challenging the sensible by alternately embracing aesthetics of dissent and consensus . Full Circle – NOISE Plays the Music of Stuart Saunders Smith (Centaur Records In. 2017) .
Ah, noise rock, the bastard child of punk and metal. This form of music came to prominence in the ‘90s with bands like Unsane, The Jesus Lizard, and Cherubs and labels like Amphetamine Reptile. Here was music that was loud, heavy, weird, and a bit unseemly-perfectly fitting in with the time in which it was created. But guess what? It never went away. In fact, it’s enjoying a mini-resurgence in the loud rock underground. So, with that mind, here’s our list of some of the top bands in the genre. We tried to strike a balance between the well-known and the up-and-comers
Sometimes the noise distracts other students. To prevent this, a traffic light system has been introduced. A large set of traffic lights, made of coloured paper, is placed in the classroom. When the noise is acceptable, the green light is on. When it gets too loud, the yellow light is put on. Changing to the red light means the end of activities or complete silence.
|1||Flight for flute and piano Stuart Saunders Smith||Noise||6:14|
|2||Notebook version for flute, piano, percussion, guitar Stuart Saunders Smith||Noise||10:22|
|3||Time Comes Full Circle for violin and cello Stuart Saunders Smith||Noise||17:41|
|4||Asleep in Thorns for flute and guitar Stuart Saunders Smith||Noise||5:40|
|Women in Meeting for two flutes|
|5||I. Towards God Stuart Saunders Smith||Noise||4:35|
|6||II. A Test of Time Stuart Saunders Smith||Noise||5:01|
|7||III. Jesus Weeps Stuart Saunders Smith||Noise||2:20|
|8||IV. Lazarus Goes Back Stuart Saunders Smith||Noise||3:35|
|9||V. Heaven Arrived Stuart Saunders Smith||Noise||2:14|
CreditsChristopher Adler - Piano
Stephen Bradley - Cover Art
Constantin Brancusi - Liner Notes
Lisa Cella - Flute, Producer
Franklin Cox - Cello
Josef Kucera - Engineer
Colin McAllister - Guitar
Mark Menzies - Violin
Noise - Ensemble, Primary Artist
Morris Palter - Percussion
Carrie Rose - Flute
Bill Sallak - Liner Notes
Stuart Saunders Smith - Composer
Alan Wonneberger - Engineer, Mastering