» » Roger Waters - Amused to Death

Roger Waters - Amused to Death flac mp3

Roger Waters - Amused to Death flac mp3
Roger Waters
Amused to Death
Album Rock,Art Rock,Prog-Rock
Date of release:
September 1, 1992
Recording location:
FLAC vers. size:
1636 mb
MP3 vers. size:
1414 mb
WMA vers. size:
1504 mb
Other formats
4.2 ★

Roger Waters - Amused To Death (1992).

Amused to Death is the third studio album by English musician Roger Waters, released 1 September 1992 on Columbia. A remastered remix by Waters and James Guthrie was released in 2015. Roger Waters started working on Amused to Death in 1987 when he first wrote "Perfect Sense. It was several years before the album was released.

Released September 1, 1992. Amused To Death Tracklist. 1. The Ballad of Bill Hubbard Lyrics. Waters warns of the dangers of infinite entertainment. The album highlights some particularly troubling examples of this effect, such as the ability of people to distance themselves from real life calamity such as war because they are experiencing it as uninvolved spectators, and the subtle ways that the sensationalization of information shapes society’s feelings towards it. Many of the themes present in the album will be familiar to long-time fans of Waters'

Amused itself to death Amused itself to death.

View interactive tab. Download. This species has amused itself to death. intro notes comes in full force). D. G. Amused itself to death.

The Final Cut, his last album with Pink Floyd, functioned as an explicit sequel to The Wall, but 1992's Amused to Death acts as something of a coda, a work where Waters revisits his obsessions - both musical and lyrical - and ties them together with the masterful touch of a mature artist.

Produced by Patrick Leonard and Roger Waters Mixed by James Guthrie. Three Wishes 13. It’s A Miracle 14. Amused To Death. Donation to replenish the collection of the site and its further development. We will reupload file.

Track List

Title/Composer Performer Time
1 The Ballad of Bill Hubbard Roger Waters Roger Waters 4:19
2 What God Wants, Pt. 1 Roger Waters Roger Waters 6:00
3 Perfect Sense, Pt. 1 Roger Waters Roger Waters 4:16
4 Perfect Sense, Pt. 2 Roger Waters Roger Waters 2:50
5 The Bravery of Being Out of Range Roger Waters Roger Waters 4:43
6 Late Home Tonight, Pt. 1 Roger Waters Roger Waters 4:00
7 Late Home Tonight, Pt. 2 Roger Waters Roger Waters 2:13
8 Too Much Rope Roger Waters Roger Waters 5:47
9 What God Wants, Pt. 2 Roger Waters Roger Waters 3:41
10 What God Wants, Pt. 3 Roger Waters Roger Waters 4:08
11 Watching TV Roger Waters Roger Waters 6:07
12 Three Wishes Roger Waters Roger Waters 6:50
13 It's a Miracle Roger Waters Roger Waters 8:30
14 Amused to Death Roger Waters Roger Waters 9:06


Marv Albert - Guest Artist, Voices
P.P. Arnold - Vocals
Christopher Austopchuk - Creative Director
Jeff Beck - Guest Artist, Guitar
Haydn Bendall - Engineer
Michael Bosley - Assistant Engineer
Kenneth Bowen - Conductor
Andy Bradfield - Assistant Engineer
Graham Broad - Drums, Percussion
Chris Brown - Assistant Engineer
John "Rabbit" Bundrick - Organ, Organ (Hammond)
Mark Burdett - Art Direction
Brian Burrows - Assistant Engineer
Doreen Chanter - Vocals, Vocals (Background)
B.J. Cole - Guitar (Steel)
Luis Conte - Percussion
Rita Coolidge - Vocals
N'Dea Davenport - Vocals, Vocals (Background)
Rick DiFonzo - Guitar
Ross Donaldson - Assistant Engineer
John Dupree - Arranger, Conductor, String Arrangements
Linsey Fiddmont - Vocals
Lynn Fiddmont - Vocals (Background)
Charles Fleischer - Voices
Denny Fongheiser - Drums
Bruce Gaitsch - Guitar, Guitar (Acoustic)
Nick Griffiths - Engineer, Producer
James Guthrie - Mixing
Jim Haas - Vocals (Background)
Richard Haughton - Photography
Steve Heinke - Assistant Engineer
Don Henley - Vocals
Natalie Jackson - Vocals, Vocals (Background)
Randy Jackson - Bass
James Johnson - Bass
Jerry Jordan - Engineer
Jon Joyce - Vocals, Vocals (Background)
Michael Kamen - Arranger, Conductor
Tony Kaye - Photography
Katie Kisoon - Vocals (Background)
Katie Kissoon - Vocals
Stan Laurel - Vocals, Vocals (Background)
Jessica Leonard - Screams, Voices
Jordan Leonard - Screams, Voices
Patrick Leonard - Arranger, Keyboards, Organ (Hammond), Piano, Producer, Programming, Synthesizer, Vocal Arrangement, Voices
Ron Lewter - Mastering
Andy Fairweather Low - Guitar, Guitar (12 String), Guitar (Acoustic), Guitar (Electric), Guitar (Rhythm), Vocals, Vocals (Background)
John Lowson - Assistant Engineer
Steve Lukather - Guest Artist, Guitar
Brian Macleod - Drums, Percussion
Paul M. Martin - Art Direction
McLaugh - Engineer
Stephen McLaughlan - Engineer
Marc Moreau - Assistant Engineer
Sean O'Dwyer - Mixing Assistant
John Patitucci - Bass, Bass (Electric), Bass (Upright), Guitar (Electric)
John Pierce - Bass
Tim Pierce - Bass, Choir/Chorus, Guitar
Jeff Porcaro - Drums
Alf Razzell - Vocals
Alf Razzelli - Vocals
Doug Sax - Mastering
Steve Sidwell - Cornet
Dary Sulich - Assistant Engineer
Roy Sweeting - Assistant Engineer
Roger Waters - Bass, Composer, Guitar, Guitar (12 String), Primary Artist, Producer, Synthesizer, Vocals
Jeremy Wheatley - Assistant Engineer
Geoff Whitehorn - Guitar
Guo Yi - Bass, Dulcimer, Lute, Oboe, Zhen
  • Anicasalar
There are few records out there that actually changed my life. This album is one of the few that did. The message, especially in these times, is more important than ever. More and more people seem to be obsessed about that everything has to be entertaining, and that movies, music, books, etc. is only there to simply entertain us. This album (along with other Roger/Pink Floyd albums) prove that just isn't the case. I only have two small criticisms: The music isn't that spectacular (but the presence of Jeff Beck helps), and you have to really, really be paying attention to fully understand the message Roger is trying to get across. But once you do, and you have your mind open, it's simply incredible that he manage to get across so much in just under 73 minutes. Having listened to and understood "Amused to Death", I often get frustrated when people say they don't care about the concept in albums (if they care about albums at all), and that they mostly enjoy the riffs and the catchiness of the songs. Worst of all, many of them (that I've met) really enjoy Pink Floyd. Yet they seem completely oblivious to what "Dark Side of the Moon", "The Wall" and, worst of all, "Amused to Death" is all about. The irony is absolutely stunning. There's so much more to explore and learn in the world of music, and this album most definitely proves it.
  • santa
Writing this in 2018, the message is a warning we should have listened to. We now have a reality TV host pretending to be president and our lives, our very existence is a bad reality TV show. It amazes me that people recently got all butt hurt because of his Anti-Trump statements at his shows...have you ever listened to him???? Of cuorse he's anti-Trump, He's against fascists. Normally I think celebrities should keep their mouths shut on politics. Roger is educated and wise. . Preach on!
  • Shazel
Full Disclosure: I'm not a fan of Roger Waters.There have been times in my life, when a friend happens upon me while I'm playing "my" music, where they inevitably remark, "It sounds like Pink Floyd." [Grins]... Nothing I play sounds like Pink Floyd other than Pink Floyd. Period. And, when it comes to my Pink Floyd collection, 'The Dark Side of the Moon' and ‘Wish You Were Here' remain my favorites. And while it’s true Waters wrote the lyrics and some of the music, the success of both these records bares the value of the group’s collaborative genius rather than Water's musical prowess. [Pausing]… Relax, PF lovers… I totally respect your passion for, and, unflinching love of all things PF. However, given the diversity of my music library… It’s very painful to listen to ‘Amused to Death’ because it’s so damn sophomoric. It’s all Waters. It’s so banal. It hardly qualifies as a classic and frankly, after many listens… A grade school kid could have done [lyrically] better. I mean, Television as Programming… WTF? Talk about cliché! My suggestion: Do what I did. Borrow it from your local library so you can promptly return it. Remind yourself, you will not be able to recoup the time lost after a listen or two. Cerebral, intellectual, inspiring this is not. [Genuflects]… PF fans, forgive me for I have, sinned.
  • Togor
After his out-and-out Masterpieces "The Wall", "The Final Cut" and "The Pros and Cons of Hitchhiking", I feel that this album is a different beast altogether. There's little melody, few hooks, and very little of the magic he seemed to have limitless access to before. The music is in some way happening on the surface-level all the time, with none of the depth of his earlier masterpieces. If that makes any sense.He always demonstrated that he is a master of creating atmosphere with assorted background noises, radiovoices and telephones ringing, but the song was always in center. Well; welcome to an entire album of mostly atmosphere.So, although I love Roger Waters' self centered stream-of-consiousness musings and ramblings on the afore mentioned albums, I never did get anywhere near the masterpiece-feeling from this one.