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Ettore Bastianini / Fernando Previtali - Giuseppe Verdi: Ernani (Napoli, 1960) flac mp3

Ettore Bastianini / Fernando Previtali - Giuseppe Verdi: Ernani (Napoli, 1960) flac mp3
Performer:
Ettore Bastianini / Fernando Previtali
Album:
Giuseppe Verdi: Ernani (Napoli, 1960)
FLAC vers. size:
1785 mb
MP3 vers. size:
1461 mb
WMA vers. size:
1625 mb
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Rating:
4.7 ★
Votes:
821

La Forza del Destino - Verdi (Napoli 1958) 3 Parties Franco Corelli. 2 November 2017 at 03:35. del destino a Vienna. Il 2 novembre 1960 a Milano ci lascia per sempre. Ettore Bastianini as Renato in Eri tu che macchiavi from Un Ballo in Maschera (1957) by Giuseppe Verdi.

Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo.

Ettore Bastianini (September 24, 1922 – January 25, 1967) was an Italian opera singer who was particularly associated with the operas of the bel canto tradition. Born in Siena, Bastianini first began performing at fifteen while apprenticed to a pastry chef, Gaetano Vanni, who discovered his vocal talent and encouraged him to join the choir of his hometown's cathedral. Between 1937 & 1938, he sang bass during Masses and religious functions at the church.

Baritone Vocals – Ettore Bastianini Tenor Vocals – Mario Del Monaco. Chorus Master – Roberto Benaglio. Directed By – Fernando Previtali. Liner Notes – Renato Bossa. Matrix, Runout (Runout side A): GML 4 A 2 520 10 80. Matrix, Runout (Runout side B): GML 4 B 520. Other (Dominio Pubblico - Public Domain): . Rights Society: SIAE.

Giuseppe Verdi Ernani Cugino, a che munito. Lo vedremo, veglio audace. Fu esplorata del castello. Vieni meco, sol di rose. Don Carlo - Giuseppe Taddei Don Ruy Gomez da Silva - Giacomo Vaghi Elvira - Caterina Mancini Don Riccardo - Vittorio Pandano. Orchestra Sinfonica e Coro di Roma della RAI Fernando Previtali, conductor. 6 - Ettore Bastianini 7 - Boris Christoff 7 - Nicolai Ghiaurov. 7 - Boris Christoff 6 - Ettore Bastianini.

Beyond that the audience is far more disciplined than their 1957 counterparts for Mitropoulos's Ernani set from the same venue. There is no shushing or muttering during the preludes. The sound is fine, for its vintage and locale. The chorus is a little undisciplined but who cares. They are IN to being gypsies and soldiers like you will never find in a studio set or a film from current producers and singers. The Molinari-Pradelli has two advantages over Mitropoulos; Giulietta Simionato's Preziosilla and Ettore Bastianini's Carlo.

Credits

Ettore Bastianini - Primary Artist
Fernando Previtali - Primary Artist